LIHAO
The Individual
Under Pressure
Six paintings trace the pressures of power and conflict, from the unease of a face to the fragile possibility of renewal.
September 23–October 21, 2026

Oil on canvas · 85 × 85 cm · $2,800 USDView painting
Selected paintings
Oil on canvas · Unique works

02 / Selected painting
Lawlessness
2026 · Oil on canvas
140 × 120 cm
$3,400 USD
A masked adult and a child sit before a burning landscape. The child’s lowered head and the adult’s metal mask give the consequences of unchecked power a human form. Their silence deepens the violence of the scene.
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03 / Selected painting
Madness Beneath the Ordinary
2017 · Oil on canvas
40 × 30 cm
$1,700 USD
Pale eyes and a narrow, toothy smile emerge from a turning mass of gray-violet paint. At this intimate scale, the face seems to form and dissolve in front of the viewer.
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04 / Selected painting
The Vigilant Person
2017 · Oil on canvas
40 × 30 cm
$1,700 USD
A sharply outlined magenta figure fills the canvas against a dark ground. Shadowed eyes and exposed teeth give its direct gaze an uneasy intensity.
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05 / Selected painting
Beneath the Tower of Power
2024 · Oil on canvas
100 × 80 cm
$2,900 USD
A seated, red-robed figure confronts a bent red figure in an open landscape. Their contrasting postures establish an unequal encounter, making authority visible through the relationship between bodies.
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06 / Selected painting
Negotiations
2026 · Oil on canvas
140 × 120 cm
$3,400 USD
Two masked figures face one another in a pale landscape. Flowers and a clenched fist place accommodation and confrontation within the same exchange.
View paintingPower enters LIHAO’s paintings through the body: a seated figure holds its ground, another bends, a face hardens into a mask. Bringing together six works made between 2017 and 2026, The Individual Under Pressure examines how authority and conflict shape the ways people face one another—and how those pressures register within the self. Exaggerated features and improbable encounters give these paintings a disconcerting humor. A grin may suggest pleasure, menace, or the effort to conceal fear.
In the small canvases Madness Beneath the Ordinary and The Vigilant Person, the face becomes a site of uncertainty. Eyes, teeth, and flesh resist settling into a reassuring expression. Their intimate scale brings this instability close. Elsewhere, LIHAO stages encounters across open landscapes. The seated and bending figures in Beneath the Tower of Power establish a hierarchy through posture; in Negotiations, flowers and a clenched fist complicate the apparent promise of an exchange. Authority takes shape in who occupies space, who yields, and what a gesture might conceal.
In Lawlessness, a masked adult and a child sit before a burning landscape. Their silence gives the consequences of unchecked power a human form. The figures’ stillness makes the surrounding destruction more difficult to dismiss. Across the exhibition, vulnerability and aggression can inhabit the same body, unsettling any easy division between those who wield power and those who endure it.
The newest painting, The Persistence of Hope, brings this tension into a landscape of war. Bertrand Russell’s face appears in the upper right above a burning landscape, while a distant skyline remains standing. Enormous flowers rise through the ruins; their red and yellow petals echo the flames, making growth and destruction difficult to separate. The flowers offer no evidence that the violence has ended. They make renewal imaginable within a world still being destroyed. Here, hope acquires its difficulty and its force: the capacity to imagine life beyond the conditions that threaten it.
About LIHAO
Born in Hunan in 1983, LIHAO lives and works in Shenzhen. Masked figures and hybrid beings recur throughout paintings concerned with autonomy and the forces that constrain it.
Biography and available worksContinue exploring
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